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Mies van der Rohe's Barcelona Pavilion transforms into a minimalist's fantasy

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Architecture as Ornament: Carlo Scarpa and Ludwig Mies van der Rohe Reconsidered

All reviews modern architecture mies van der international exhibition worth a visit reconstruction euros masterpiece reproduction ludwig rebuilt stone century structure fountain. Review tags are currently only available for English language reviews.

Selected filters. Updating list Reviewed 22 November As fine a setting as this simple elegant building could desire. Thank StPancrasClockTower. Reviewed 2 November Great architecture and there is a good view of the city from the top of the steps.

Building desire : on the Barcelona Pavilion / George Dodds.

Date of experience: September Ask BeardedNinja about Barcelona Pavilion. They both served as seminal mythmaking devices whose purpose was that of affirming the otherness of the objects and artifacts whose display they were housing on the inside; simultaneously making sure the desire for them was prolonged and unrealised.


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In the case of the Yugoslav Pavilion these were the emblems representing a nation state at a world exposition and in case of the Josephine Baker house — an exotic female body. Both buildings are products of an architectural reverie in which the architects imagined a series of spaces where the objects on display were put on show for the entertainment of the audience. Over a year, the artist has collected archival traces of the Yugoslavian Pavilion, which supposedly won the Grand Prix and subsequently lost it due to political intrigue to Ludwig Mies van der Rohe and his design for the German Pavilion at the Barcelona EXPO.

After the exposition, the Yugoslavian Pavilion was torn down and slipped into oblivion with only few documentary traces left.